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  • October 15, 2020

BEYOND HISPANIC HERITAGE MONTH: UNDERSTANDING THE LATINX CONSUMER

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BEYOND HISPANIC HERITAGE MONTH: UNDERSTANDING THE LATINX CONSUMER

October 15, 2020

BY STEPHEN MACAIS, EXECUTIVE VICE PRESIDENT OF MULTICULTURAL MARKETING AND COMMUNICATIONS 

There is no better time to learn about what drives Hispanic and Latin American consumers, and appreciate the complexities embedded in the DNA of this community, than Hispanic Heritage Month….or is it Latinx Heritage Month? Latino Heritage Month? Latin@?

That’s a dynamic conversation with no one ‘right’ answer, but as this consumer base continues to evolve, brands must know how to properly adapt and follow them in that journey.  With the U.S. Hispanic consumer making up 19% of the population[1] and controlling a total of $1.5 trillion in buying power[2], it’s vital to understand that what makes the Latinx culture so rich is the diversity of its people and the intricacies that are built into its foundation. A perfect example of this is the discussion surrounding the use of Hispanic vs. Latino/a vs. Latinx vs. Latin@. Where younger generations are more likely to embrace and adopt the use of Latinx to describe their identity, their parents and grandparents are used to identifying as Hispanic or identifying by their country of origin (Mexican, Salvadoran, etc.). So, which one is it, and is it too risky to engage with the variations?

Beyond the terminology, activating around a tentpole as culturally significant as Hispanic Heritage Month requires insight into its history. This nationally-recognized holiday, which runs from September 15 to October 15, celebrates the history, culture, and contributions made by Latinx people in the U.S. Between September 15-22, many Latin American countries including Mexico, El Salvador, Costa Rica and more celebrate their independence. Día de la Raza, a holiday recognized in many Latin American countries that honors the people, tradition and cultures that were destroyed due to European colonization, also falls within this 30-day period on October 12.

Although Hispanic means ‘Spanish-speaking’ and is often associated with Spanish colonialism and the exclusion of indigenous groups, Hispanic Heritage Month also celebrates Latinos who might not necessarily speak the language, but have roots in any Latin American country. As a result, more people are adopting ‘Latinx Heritage Month.’

Tapping into this audience doesn’t just mean translating marketing materials to Spanish, or enlisting a notable Latinx personality to be the face of a new product. The backbone of a successful Hispanic/Latinx outreach campaign involves an understanding that this audience is not monolithic. It also requires access to experts that recognize that a Mexican who shows up to a Salvadoran Christmas gathering might be surprised by the type of tamales they see on the table.

This community is made up of people who have varied cultural experiences, come from different ethnic backgrounds, and even speak different languages. Brands who succeed at engaging them and telling their stories recognize these differences, and leverage them to create campaigns that make them feel represented.

Approaching a new market can be scary for brands, but we ensure to equip clients with the confidence that when it comes to the Hispanic market, it’s not about reinventing the wheel.

In the next 5 years, finding a way to appeal to this audience will be naturally built into campaigns, as Hispanic/Latinx Americans are the largest minority in the United States[3] and will be 21.1% of the U.S. population by 2030[4]. As the numbers show, the audience has always been there, it’s just a matter of shifting perspective.


[1] Total Annual Spending by U.S. Hispanic Households To Reach $978 Billion in 2020 – Higher Than Any Other Minority Consumer Group (Claritas, 2020)

[2] 2020 will be the year of the Hispanic (Hispanic Online Marketing, 2020)

[3] Hispanics in the US Fast Facts (CNN, 2020)

[4] 3 ways that the U.S. population will change over the next decade (PBS News Hour, 2020)

R&CPMK is a preeminent integrated marketing and communications agency in global entertainment. We represent more than 400 of the most influential actors, producers, content creators, musicians, directors, and athletes around the world. Contact us for consultations.

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  • September 16, 2020

HOW WILL THE EMMY AWARDS LOOK DIFFERENT IN 2020?

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HOW WILL THE EMMY AWARDS LOOK DIFFERENT IN 2020?

September 16, 2020


BY MEILANI WEISS, EVP BRAND INTEGRATION

THE 2020 EMMY AWARDS BROADCAST LIVE—NOT PRE-RECORDED—ON SUNDAY, SEPTEMBER 20, FROM THE STAPLES CENTER IN LOS ANGELES AND NOMINEES’ HOMES AROUND THE WORLD.

The energy will certainly be different, with host Jimmy Kimmel at the Staples Center with the crew and very few special guests at the venue, and about 140 camera feeds going into the production.

This year’s ceremony will be the first where award attendees and home viewers will have essentially the same experience (give or take a ring lighting rig to make the nominees’ watch parties more broadcast-ready). In recent talk show appearances, nominees have discussed what they’ll wear to the ceremonies from their living rooms, and viewers who love television can make a night of it as well—whether in their own living rooms or in socially-distanced outdoor viewing parties.

Viewers may also have extra curiosity in the awards show this year, simply from not seeing their favorite actors, writers, directors, and other creative talent in so long. With filming on scripted series halted for months and 2020/2021 premiere dates delayed and in flux, this Emmys ceremony provides an opportunity to see our favorite talent let their more authentic selves shine through, without the long schedule that attending an awards show traditionally entails. And, perhaps, we’ll also see a nominee’s family, pets, or interior decorating decisions steal the spotlight.

For his part, Kimmel is used to improvising hosting duties by now, and has proven adept at producing compelling content during quarantine.While the quality of remotely-produced projects this year has drastically varied in quality, the experience can also lend an intimacy to a broadcast which otherwise may not draw much enthusiasm this year. And as the ceremonies themselves are reimagined by necessity, the Outstanding Series nominees serve as a bellwether of longer-term industry trends.

The OUTSTANDING COMEDY SERIES category includes a range of tone and distributors, from “Dead to Me” (Netflix) to “The Good Place” (NBC), “Insecure” (HBO) to “Schitt’s Creek” (CBC/Pop TV) to “What We Do in the Shadows” (FX, a major partner with fellow Disney-controlled service Hulu). As streaming series tend to have fewer seasons overall, HBO’s “Curb Your Enthusiasm” is by far the longest-running series nominated, though on its own anomalous schedule.

For OUTSTANDING DRAMA SERIES, the nominees represent the most critically-celebrated with dedicated fans: “Better Call Saul,” “The Crown,” “The Handmaid’s Tale,” “Killing Eve,” “Ozark,” “Stranger Things,” “Succession”—and Star Wars series “The Mandalorian.” Notably, none of the series are from the major broadcast networks, and Disney+ being represented—with a Star Wars spinoff series no less—is perhaps as good a sign as any of the paradigm shift of the last few years, and how difficult it is for broadcast series to break through in awards season beyond individual contributions.

As we look to Sunday, September 20, not knowing exactly what to expect, I’m more intrigued in the Emmy Awards than in previous years—from how Kimmel and his production team invigorate the show, to what the list of eventual award-winners says about the industry’s priorities.

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  • 2020 HOLIDAY GUIDE FOR ENTERTAINMENT & CULTURE TRENDS

  • September 15, 2020

2020 HOLIDAY GUIDE FOR ENTERTAINMENT & CULTURE TRENDS

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2020 HOLIDAY GUIDE FOR ENTERTAINMENT & CULTURE TRENDS

September 15, 2020

‘TIS THE SEASON

This year’s holiday season will look like any other.  Not long after coronavirus shutdowns began, consumers began searching for holiday gifts.  Brands that have shown a fluid and compassionate response to the current climate are already seeing sentiment scores shoot up. It is imperative for brands to have the right tools in their marketing mix to be able to step into this new era with CREDIBILITY, AUTHENTICITY, and PURPOSE.

Consumers have shifted the types of products that they want, how they get those products, and the experiences and entertainment that people are seeking.  Brands have a genuine opportunity to build loyalty with new and existing audiences, building upon the desire for authentic connection and social responsibility marketing.

CONTACT US  to schedule a full presentation of our 2020 HOLIDAY GUIDE by members of our team.

COREY SILVERMAN EVP, Marketing & Business Development
Corey.Silverman@rogersandcowanpmk.com

MICHAEL FEIN SVP, STRATEGY & TRANSFORMATION
Michael.Fein@rogersandcowanpmk.com

  • HOW WILL THE EMMY AWARDS LOOK DIFFERENT IN 2020?

  • R&CPMK Chairman Cindi Berger Delivers Main Address At Ithaca College’s 125th Commencement Ceremony

  • July 28, 2020

COVID-19 & The Six Stages Of Societal Change

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COVID-19 & The Six Stages Of Societal Change

July 28, 2020

Article by Craig Greiwe, CTSO, R&CPMK

Craig Greiwe, Chief Strategy Officer, Rogers & Cowan PMK, shares his insight on how understanding historical societal change surrounding global crisis will help the country and the world navigate through the COVID-19 Pandemic.

Understanding “The Six Stages Of Societal Change” Surrounding Global Crisis Will Help The Country Navigate Its Way Through The COVID-19 Pandemic

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The impact of COVID-19 is clearly deep and substantial, but our policymakers in the United States seem content to argue only over immediate decisions, without agreeing to one fundamental and important fact: this crisis is more than just a temporary or multi-year journey. Much like it’s rare predecessors of World War II, the Global War on Terror, or the regional crises of SARS and Ebola, the coronavirus epidemic is poised to change the way we as a society move forward. There are few times in humanity when mass-impact events change the way consumers behave and society operates permanently. The COVID-19 pandemic is one of those moments.

 We need not be passive bystanders though, simply reacting and adapting to what permanent changes lie ahead. We can be more than just the haphazard sum of private enterprise innovators and state-by-state policymakers responding in real time. Simply put, acknowledging the scale of what’s happening allows us to put a framework behind it – a system to understand how the public will behave, what they need, and how they will respond. That framework then gives us a useful, practical tool to move beyond the justifiably tragic headlines and reaction-oriented decision-making, to avoid an even more tragic future. It gives us the power to lead, not follow.

 By distilling the globe-changing crises of the past, a framework emerges that is deceptively simple but critically important: the “Six Stages of Societal Change.” When used to map against the current COVID-19 crisis, these Six Stages allow us not just to see the smartest response to the problems we face now, but to look down the road and chart a path towards a future we can control.

 Stage 1 the start of any game-changing event, begins with “Initiation.”  People react slowly and in disbelief. They need accurate information and informed perspective through clear, concise, and direct communication from trusted sources, to help them understand and process what’s happening. 

 Stage 2 “Reaction” is the start of change. In this stage, people have realized the severity of events, and commence their reactions, often illogical (panic and grocery store runs) or rash (immediate strikes in the Global War on Terror).  In the case of COVID-19, this period included the first steps of social distancing and self-quarantine, matched by mass hysteria.

 In this stage, people tend to experience a forcible shift in their behavior that can be quite disturbing and stark. They need reassurance above all else. They need support and confidence in their authorities, who should provide them information and empathy. The more people’s needs are fulfilled, the sooner they can move into a stable Stage 3. 

 Stage 3 brings “The Temporary Normal,” a stasis of revised lifestyle and behavior. In this period, we’ve realized what’s happening to us, and we’ve made significant but temporary changes to the way the world operates. Most people have come to accept those changes, but only because they believe they are temporary and necessary for the resolution of the crisis at hand and restoration of a better future. There is an underlying uncertainty about what lies ahead, which causes friction, and so people need support and understanding. More than that, as things stabilize, people also want diversion, entertainment, and escape to cope. 

 Stage 4 is when all crises must come to an end in “The Fade.”  The Fade is the period from when we see the light at the end of the tunnel to the time of true conclusion. More than a positive sign, it is a tricky space to navigate, as anticipation of an end to the crisis increases pressure to accelerate it, often in unwise ways. The longer this stage lasts, the more challenging it becomes to balance this pressure and the needs of the crisis. The best thing we can do is provide clarity as to what’s happening, and reasonable timelines for exit, while continuing to use diversion and entertainment to release anxiety and alleviate malaise.

 Stage 5 brings “Memorial & Celebration,” the marked end of a crisis. In this stage, people need acknowledgement both of the losses incurred and the collective emotional journey everyone has gone through. However, a celebration is also important to focus them on the positive of the future. A delicate and careful mix must be achieved to help people move on. 

 We will eventually reach Stage 6, “The Altered Future,” where the world as we know it goes forward permanently changed. The Civil War brought about the end of slavery and the permanent demarcation of “the South” in society and culture. Ebola had smaller but important changes to societal behavior in West Africa. While World War II ultimately brought about the permanence of women in the workplace, and eventually, integration and technological innovation that paved the way for the modern age. 

 There are millions of people, including many elected leaders, who want nothing more than to go back to the way things were. However, accepting that our future is forever altered, and that we will go through these Six Stages to get there, is a critical and transformational shift in both our policymaking and in our public’s perception of the crisis at hand. 

 We must stop simply focusing on the headlines, and “getting back to the way things were,” no matter how critical policy decisions like Safer At Home orders are, and how tragic the loss of life. Instead, we must concurrently deal with the crisis at hand and accept that the future is different. We must use these stages of societal change to take an active role in shaping what lies in front of us. Until we accept that conclusion and path, we will forever be battling over immediate decisions without regard for their long-term impact, let alone their short- and intermediate-term effectiveness.

 COVID-19 is a globe-changing event, and it is much more than a passing phase. Only when we accept that fact, and develop a common framework for our choices and the public’s needs, can we talk about meeting those needs in the smartest ways and preparing for the best future. The old adage remains true, “Planning today makes a smarter, better future.” The Six Stages of Societal Change are designed to be the framework that allows us to process that information, and make informed decisions for the betterment of all. With COVID-19, the permanent altered future is still unclear, but knowing what could lie ahead, gives us the opportunity to shape it. It’s essential, in order not just to embrace that understanding, but to use it to sculpt the tomorrow we’d like to see.

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  • April 28, 2020

The New Golden Rule in Marketing (Spoiler: It’s Not About You)

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The New Golden Rule in Marketing (Spoiler: It’s Not About You)

April 28, 2020

Article by Craig Greiwe, Chief Strategy & Transformation Officer, R&CPMK

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If brands try to answer one simple question—what does my audience need?—business and profits will follow

In his latest Ad Age opinion piece Craig Greiwe shares his thoughts and three step process on how marketers and brands should shift perspective and focus on understanding consumers and their needs, during the hypersensitive environment we are currently in.

“Today is not about intention. And it’s not about who can outbid the other person for the most aid, or pull the most tears with an ad. It’s no longer about contextual targeting, or intention. It’s about one thing, and one thing only: Caring. Truly caring about people.

It’s a simple three-step process:

1. What do my consumers need right now? Be aware, it may not even relate to your products or services just yet. That’s ok.

2. How do I provide what my consumers need, even if it’s not my usual line of business? Verizon, for example, is feeding emergency responders with meals from small-business restaurants; LVMH is making hand sanitizer; Hermes is sewing personal protection equipment.

3. Finally, if you’ve truly solved a need, and made a difference, do you have a message or product that connects authentically to that activity? Put the consumer need first and then if you have a message, product, or service that relates, create a journey that allows consumers to draw those connections on their own, in their own vocabulary. There’s no need to shout from the rooftop if you’ve paved the right road.

There are a lot of businesses composing presentation after presentation; fretting in board rooms about the latest brief to their ad agency; and putting out hastily announced aid programs without proper explanation.  But what they need to be doing first is asking one simple question: who is my audience, and what do they need? The new golden rule is putting consumers absolutely first. Business, and profits, will follow.”

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  • The New Rules of Influencer Marketing During Uncertainty.

  • March 24, 2020

The New Rules of Influencer Marketing During Uncertainty.

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The New Rules of Influencer Marketing During Uncertainty.

March 24, 2020

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Featured in the latest Campaign article; Charlotte Hoare, Senior Strategist, Talent and Partnerships and Aaron King, Influencer Director at ITB Worldwide discuss how brands can continue to engage influencer marketing by fostering community.

“Engaging with digital talent is an effective way to increase share of voice and relay more personalized brand messaging. The new norms of social distancing and self-isolation are forcing us to foster a sense of community through digital and empower audiences to become part of the conversation. ” 

“In these uncertain times, we are looking for interactions with both brands and talent that are transparent, authentic and purposeful. Here are some thoughts on how brands can put this into action.” 

  • Remember your core values
  • Make content that lives beyond your feed
  • Experiment with format

  • The New Golden Rule in Marketing (Spoiler: It’s Not About You)

  • Stephen F. Macias Named Executive Vice President Entertainment and Multicultural Practice, Rogers & Cowan PMK

  • November 12, 2019

Rogers & Cowan PMK Announces Entertainment Leadership Team

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Rogers & Cowan PMK Announces Entertainment Leadership Team

November 12, 2019

ENTERTAINMENT TRAILBLAZERS.

Five Agency Trailblazers Promoted to Executive Leadership Positions Under Entertainment Division Chairman Alan Nierob

Lindsay Galin and Jeff Raymond Named Co-Presidents Talent. Dennis Dembia and Michael Donkis Appointed Co-Presidents Entertainment & Business Strategy. Marian Koltai-Levine Elevated to President Film, Content & Marketing

LOS ANGELES, Calif. / NEW YORK, N.Y. – Tuesday, November 12, 2019 – Rogers & Cowan/PMK today announced the elevation of Lindsay Galin, Jeff Raymond, Dennis Dembia, Michael Donkis, and Marian Koltai-Levine to executive leadership positions in the agency’s Entertainment Division. 

As part of the announcement, Galin and Raymond have been named Co-Presidents, Talent, Dembia and Donkis have been promoted to Co-Presidents, Entertainment & Business Strategy, and Marian Koltai-Levine will serve as President, Film, Content & Marketing. The five senior executives will each lead their respective departments, and report directly to Alan Nierob, Entertainment Division Chairman, Rogers & Cowan/PMK. 

Brad Cafarelli and Fran Curtis remain Vice Chairman of Rogers & Cowan/PMK’s entertainment division. In addition, Curtis will oversee R&C/PMK’s music department led by Executive Vice President, Maureen O’Connor.

The promotion of Galin, Raymond, Dembia, Donkis, and Koltai-Levine, follows the merger of Rogers & Cowan and PMK this past July, which brought together the two largest and most successful media relations and brand marketing firms in Hollywood to form Rogers & Cowan/PMK, the preeminent integrated marketing and communications agency in global entertainment.

“Lindsay, Jeff, Dennis, Michael, and Marian are five of the brightest and most well-connected leaders in Entertainment, and are a key reason why Rogers & Cowan/PMK continues to be the leading agency in Hollywood and across the industry,” said Nierob. “Their individual reputations, and award-winning work for their clients, is unmatched. We’re thrilled to elevate them to executive leadership positions, as we continue to strategically build the architecture of our management team, and position Rogers & Cowan/PMK and our clients for decades of success.”

“The contributions Lindsay, Jeff, Dennis, Michael, and Marian have made to their clients – and Rogers & Cowan/PMK – is unmeasurable, and we’re proud to have them leading our Talent, Entertainment & Business Strategy, and Film, Content & Marketing departments,” said Cindi Berger, Chairman, Rogers and Cowan/PMK. “The success of our agency has always been defined by providing the highest level of professionalism and personal representation to our entire client roster. Lindsay, Jeff, Dennis, Michael, and Marian epitomize those guiding principles of Rogers & Cowan/PMK, and their experience and insight will continue to guarantee our clients the best of entertainment strategies and personal service.”

Led by Berger, CEO Mark Owens, and Nierob, Rogers & Cowan/PMK’s combined client roster features more than 500 of the most prominent and influential actors, musicians, producers, directors, content creators and athletes in the world, including Robert Redford, Denzel Washington, Rob Lowe, Carrie Underwood, Brie Larson, Felicity Jones, Chris Pratt, Katy Perry, Michael B. Jordan, Robert Downey Jr., Jamie Foxx, Norah O’Donnell, Cameron Diaz, Sharon Stone, Kate Hudson, Judith Light, Vin Diesel, Elton John, Jeremy Renner, Billy Crystal, Sean Combs, Glenn Close, John David Washington, Jessica Alba, Whoopi Goldberg, Julianne Hough, Liam Neeson, Jerry Bruckheimer, Robert Zemeckis, Sam Levinson, Richard Gere, Kevin Costner, Vince Vaughn, Jacob Elordi, Trisha Yearwood, Mel Gibson, Britney Spears, Tony Hale, Liam Hemsworth, Miles Teller, Jeff Daniels, Jim Gaffigan, Ray Romano, Dixie Chicks, Lionel Richie, Ansel Elgort, Sly Stallone, Laurence Fishburne, Kobe Bryant, Stephen Curry, Chloe Kim, Jimmie Johnson, the Russo Brothers,  Jamie Lee Curtis, Sally Field, Candice Bergen and many more. 

In addition, Rogers & Cowan/PMK’s brand marketing portfolio includes more than 30 global brands. The agency’s clients are represented by a team of 350+ of the world’s best marketing and communications experts across film, television, digital distribution, music, fashion, sports, gaming, technology, brand marketing and social media. 

About Rogers & Cowan/PMK:

Rogers & Cowan/PMK is the preeminent integrated marketing and communications agency in global entertainment. The agency represents more than 500 of the most prominent and influential musicians, actors, producers, directors, content creators and athletes in the world, and creates distinctive integrated marketing campaigns for some of the largest brands and Fortune 500 companies across the globe.  

We are a creative communications agency with insider access allowing us to influence trends and spark meaningful conversations. We leverage culture to create defining moments and experiences that stand the test of time. Our unique position, and the insight to know what to do with it, allows us to deliver the best of brand marketing with the best of entertainment strategies.

With offices in Los Angeles, New York, Nashville, Miami, and London, R&C/PMK is part of the Octagon Sports and Entertainment Network.

  • Rogers & Cowan / PMK Announces Expanded Brand Marketing Leadership Team

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  • September 25, 2019

Why Big Brands Want to Partner with Artists

BrandingInsights
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Why Big Brands Want to Partner with Artists

September 25, 2019

THE ART OF BRAND PARTNERSHIPS.

Advertising and marketing are both industries that have long relied upon storytelling—and in today’s digital world, that has never been more important or true. With that in mind, big brands, in particular, are constantly looking for ways to remain relevant and top-of-mind with consumers.  And one of the best ways to do this is through a partnership with a leading-edge artist, band, or festival/concert series. 

In the past few years, there has been a drastic evolution in the relationships that have been borne between brands and artists.  There are so many opportunities for artists to collaborate with a brand that values the power of music—and in turn, more brands have begun to understand why it’s important to take creative risks as they seek to build something unique, imaginative, and authentic when connecting with a targeted audience. 

Brand Partnership is No Longer a Dirty Word

Several years back, there was a feeling in the music industry that the moment a brand partnership was established was the same moment that the artist or band “sold out.”

Not so true anymore. Consumers—the fans—have finally come around to the idea that there are not unlimited budgets funding record labels, and if this money dries up, then that artist or band is not going to be producing new music, going on tour, etc. 

Brands, ultimately, fill this void.   Unlike many music labels, big brands still have the cash on hand to do some pretty large-scale marketing—and some even have that money earmarked for programs that are distinctly music related. In turn, brands have realized that they not only can get increased exposure as well as some ROI when partnering with an artist, but they can also help an artist create new content and share it with the world. 

Think about the following points:

  • Brands want to partner with artists to create emotion and passion around their product or service.  Younger audiences do not respond to traditional marketing the same way as older generations do. However, music is a platform that can serve as the foundation for a powerful connection.
  • Brands look to artists to give them a “cool factor.”  They want to partner with someone who can raise their profile, allow them to go beyond being known as a big corporation alone, and place them in savvy and pertinent spaces.  Brands want to ensure that consumers know they are aware of what’s fresh and new. 
  • Brands realize that consumer loyalty and attention comes in a much shorter supply these days. They must deliver experiences that turn a potential customer into a lifelong fan. 
  • Brands know they can grow their reputation when there is an authentic partnership formed with an artist. Again, brands are looking for alignment. They must get on board with an artist where there is synchronization between vision, values, and messaging. 

Brand partnerships, when done well, can be lucrative and value-added. But they must be between the right brand and the right artist. There is a definite strategy needed here for this to be realized.  Rogers & Cowan has extensive experience building relationships between brands like Heineken and music festivals that include Coachella. Furthermore, we are skilled in bringing brands and artists together and formulating long-term plans that are mutually beneficial.  Contact us today to learn more about our abilities in forming rewarding brand partnerships.

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  • Building a Successful Brand Partnership: 4 Ways to Create Alignment

  • September 12, 2019

Building a Successful Brand Partnership: 4 Ways to Create Alignment

BrandingInsights
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Building a Successful Brand Partnership: 4 Ways to Create Alignment

September 12, 2019

BUILDING THE BRAND.
MAKING THE MUSIC.

Music and the artistry that it involves is powerful—and today, more than ever before, brands have been using music as they seek to create an emotional connection with their targeted consumer base.   In order to appeal to individual demographics, brands are seeking to formulate experiences that inspire, promote passion and emotion, and deliver authenticity. 

However, in order for a partnership between a brand and a musician, artist, or even a festival or concert event to truly work, it must be mutually beneficial.  There must be open lines of communication and synergy between what the brand as well as the artist is really looking for in a potential collaboration. For instance, is the brand trying to get new or enhanced exposure with an emerging audience group or demographic?  Or are they trying to increase sales overall? And for the artist, what are they after? Increased recognition? Product promotion? Ticket sales?

There really are a lot of moving pieces.  Therefore, consider these potential ways of creating alignment and realizing a successful partnership between brands and musicians, artists, or events.

Get the Most Out of Your Brand Partnership

  1. As a brand, think about the artist or event that appeals to you first.  Do this prior to coming up with “your idea.” Your brand must, ultimately, feel like there is an authentic connection with your target, and in turn, the artist or event must support and believe in your brand’s values. It’s a two-way street, and you can’t force this.  There must be a common goal—otherwise your targeted audience isn’t going to respond because the “partnership” will feel contrived to them. 
  2. The partnership shouldn’t be a “one off” experience, it should resonate like an echo long after the initial activation. What this means to a brand is that you must engage in a bit of due diligence and look at artists or events that have staying power and reputation. It’s not going to benefit your brand if you try to build a partnership with a one-hit wonder or a fly-by-night festival.  You want to think Coachella as opposed to the Fyre Festival (we know, that’s terrifying to us, too!).
  3. Ensure your brand is tapping into the creativity of the artist or the targeted event. It’s not the best idea for your brand to try to drive the entire partnership.   Focus on collaboration and the free flowing of ideas as it is here where you will likely be able to differentiate your content and make something truly special and exclusive—an end product that is informed and celebrated.
  4. Build the relationship by generating trust and respect—even if you are the one holding the checkbook, realize that you do not call all of the shots. If you are respectful of your artist or event partner, it’s likely that the same will be given to you.  The most effective brand partnerships are usually between parties who are smart, easy to work with, and efficient.

At Rogers & Cowan we are passionate about creating alignment and harmony between leading-edge brands and the best in music artistry and experiences.  In fact, we have been key in creating partnerships and activations between brands and names like Heineken and Coachella and Mastercard and The Grammy Awards.  For more information about our services, contact our team for a personalized consultation today. 

  • Why Big Brands Want to Partner with Artists

  • How the Middle Fell Out of Hollywood – THR

  • September 4, 2019

How the Middle Fell Out of Hollywood – THR

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How the Middle Fell Out of Hollywood – THR

September 4, 2019

Read Full Article Here

Featured in the latest Hollywood Reporter article Mark Owens, CEO of Rogers & Cowan/PMK opens up about the recent agency merger and why the timing is perfect, given where the entertainment industry is heading.

“The entertainment world is similar to the rest of the world. On one hand there’s the need for mass and scale, and then there are smaller, very bespoke agencies that represent a few clients [for whom they] do absolutely everything. The ones in the middle are getting squeezed.” 

“Combining forces offers many benefits, in addition to the obvious cost savings in human resources, accounting, field offices, etc. Among the others are the ability to combine complementary divisions, providing a one-stop shop for clients, and the opportunity to strengthen global offices, especially when day-and-date openings around the world make it imperative to have multiple people in multiple places. “You need boots on the ground.” – Mark Owens

  • Building a Successful Brand Partnership: 4 Ways to Create Alignment

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London, EC1N 2AE
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BEYOND HISPANIC HERITAGE MONTH: UNDERSTANDING THE LATINX CONSUMER

October 15, 2020
BY STEPHEN MACAIS, EXECUTIVE VICE PRESIDENT OF MULTICULTURAL MARKETING AND COMMUNICATIONS  There is no better time to learn about what drives Hispanic and Latin American consumers, and appreciate the complexities embedded in the DNA of this community, than Hispanic Heritage Month….or is it Latinx Heritage Month? Latino Heritage Month? Latin@? That’s a dynamic conversation with no one ‘right’ answer, but as this consumer base continues to evolve, brands must know how to properly adapt and follow them in that journey.  With the U.S. Hispanic consumer making up 19% of the population[1] and controlling a total of $1.5 trillion in buying power[2], it’s vital to understand that what makes the Latinx culture so rich is the diversity of its people and the intricacies that are built into its foundation. A perfect example of this is the discussion surrounding the use of Hispanic vs. Latino/a vs. Latinx vs. Latin@. Where younger generations are more likely to embrace and adopt the use of Latinx to describe their identity, their parents and grandparents are used to identifying as Hispanic or identifying by their country of origin (Mexican, Salvadoran, etc.). So, which one is it, and is it too risky to engage with the variations? Beyond the terminology, activating around a tentpole as culturally significant as Hispanic Heritage Month requires insight into its history. This nationally-recognized holiday, which runs from September 15 to October 15, celebrates the history, culture, and contributions made by Latinx people in the U.S. Between September 15-22, many Latin American countries including Mexico, El Salvador, Costa Rica and more celebrate their independence. Día de la Raza, a holiday recognized in many Latin American countries that honors the people, tradition and cultures that were destroyed due to European colonization, also falls within this 30-day period on October 12. Although Hispanic means ‘Spanish-speaking’ and is often associated with Spanish colonialism and the exclusion of indigenous groups, Hispanic Heritage Month also celebrates Latinos who might not necessarily speak the language, but have roots in any Latin American country. As a result, more people are adopting ‘Latinx Heritage Month.’ Tapping into this audience doesn’t just mean translating marketing materials to Spanish, or enlisting a notable Latinx personality to be the face of a new product. The backbone of a successful Hispanic/Latinx outreach campaign involves an understanding that this audience is not monolithic. It also requires access to experts that recognize that a Mexican who shows up to a Salvadoran Christmas gathering might be surprised by the type of tamales they see on the table. This community is made up of people who have varied cultural experiences, come from different ethnic backgrounds, and even speak different languages. Brands who succeed at engaging them and telling their stories recognize these differences, and leverage them to create campaigns that make them feel represented. Approaching a new market can be scary for brands, but we ensure to equip clients with the confidence that when it comes to the Hispanic market, it’s not about reinventing the wheel. In the next 5 years, finding a way to appeal to this audience will be naturally built into campaigns, as Hispanic/Latinx Americans are the largest minority in the United States[3] and will be 21.1% of the U.S. population by 2030[4]. As the numbers show, the audience has always been there, it’s just a matter of shifting perspective. [1] Total Annual Spending by U.S. Hispanic Households To Reach $978 Billion in 2020 – Higher Than Any Other Minority Consumer Group (Claritas, 2020) [2] 2020 will be the year of the Hispanic (Hispanic Online Marketing, 2020) [3] Hispanics in the US Fast Facts (CNN, 2020) [4] 3 ways that the U.S. population will change over the next decade (PBS News Hour, 2020) R&CPMK is a preeminent integrated marketing and communications agency in global entertainment. We represent more than 400 of the most influential actors, producers, content creators, musicians, directors, and athletes around the world. Contact us for consultations.

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R&CPMK Clients Nominated for 2020 IFJA Film Awards

The Indiana Film Journalists Association (IFJA) has announced nominees in all categories for its forthcoming 2020 awards — to be determined on Saturday, December 19. Winners will be announced on Monday, December 21. Established in 2009 by a dedicated group of six Indiana journalists, the Indiana Film Journalists Association (IFJA) was established to promote the art of film criticism in the Hoosier state, to support Indiana’s growing film industry and to promote quality film criticism in Indiana. Best Actor: Riz Ahmed, Sound of Metal Hugh Jackman, Bad Education   Best Film Ma Rainey’s Black Bottom (George C. Wolfe, Denzel Washington)

R&CPMK EXECUTIVES JOIN BRAND INNOVATORS CONFERENCE TO SHARE INSIGHTS ON “THE WAY WE LISTEN & WATCH”

Senior Vice President of Strategy & Analytics Michael Fein, Group Director of Multicultural PR & Communications Marissa Wallace, SVP of Music & Entertainment Partnerships Michael Dunn, and Vice President of Consumer Brands Meg Grogan Discuss Consumer Trends Across Entertainment and Culture On Wednesday, December 9, a collection of R&CPMK senior executives from across the organization joined the Brand Innovators “Music, Audio, and Podcasts” conference to discuss current and future trends in entertainment, culture, and beyond. R&CPMK Senior Vice President of Strategy & Analytics Michael Fein moderated a lively discussion with three of his esteemed colleagues in a session aptly